Brighter pattern are shown during the day, while darker pattern are shown in the evening. The body can be divided into two alternating patterns and colours called pagi-sore ('dawn-dusk'). The body is the main part of the cloth, and is filled with a wide variety of patterns.The papan inside of the head can be used to determine whether the cloth is kain panjang or sarong. The head section can be at the middle of the cloth, or placed at one or both ends. The head is a rectangular section of the cloth which is worn at the front.Other motifs such as buketan (flower bouquet) and birds are commonly used in either the head or the body. However, pasung and dhlorong are occasionally found in the body. For example, a row of isosceles triangles, forming the pasung motif, as well as diagonal floral motifs called dhlorong, are commonly used for the head. Sakura, hokokai, chrysanthemum, butterflyĬertain patterns are only used in certain sections of the cloth. Lasem, Cirebon, Pekalongan, Tasikmalaya, Ciamisīuketan (floral bouquet), European fairytale, colonial images such as house, horses, bicycle and European-dressed people
Garuda, banji, cuwiri, kalpataru, meru or gunungan, semen rama, pringgondani, sidha asih, sidha mukti, sidha luhurīurung hong (Chinese phoenix), liong/naga (Chinese dragon), qilin, wadasan, megamendung (Chinese-style cloud), lok tjan Kawung, ceplok, gringsing, parang, lereng, truntum, sekar jagad (combination of various motifs) and other decorative motifs of Java, Dayak, Batak, Papua, Riau, etc. Examples of Cultural influences on Batik Patterns and Motifs Cultural Influence It is also believed the motif made the batik famous. The use of batik was already recorded in the 12th century, and the textile has become a strong source of identity for Indonesians crossing religious, racial and cultural boundaries. Historically, it was essential for ceremonial costumes and it was worn as part of a kebaya dress, commonly worn every day. The popularity of batik in Indonesia has varied.
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